Born in East Africa, Yusuf has few qualms about the journey he is to make. It never occurs to him to ask why he is accompanying Uncle Aziz or why the trip has been organised so suddenly, and he does not think to ask when he will be returning. But the truth is that his ''uncle'' is a rich and powerful merchant and Yusuf has been pawned to him to pay his father''s debts. Paradise is a rich tapestry of myth, dreams and Biblical and Koranic tradition, the story of a young boy''s coming of age against the backdrop of an Africa increasingly corrupted by colonialism and violence.
On a late November afternoon Saleh Omar arrives at Gatwick Airport from Zanzibar, a far away island in the Indian Ocean. With him he has a small bag in which there lies his most precious possession - a mahogany box containing incense. He used to own a furniture shop, have a house and be a husband and father. Now he is an asylum seeker from paradise; silence his only protection. Meanwhile Latif Mahmud, someone intimately connected with Saleh''s past, lives quietly alone in his London flat. When Saleh and Latif meet in an English seaside town, a story is unravelled. It is a story of love and betrayal, of seduction and of possession, and of a people desperately trying to find stability amidst the maelstrom of their times.>
One day, long before the troubles, he slipped away without saying a word to anyone and never went back. And then another day, forty three years later, he collapsed just inside the front door of his house in a small English town. It was late in the day when it happened, on his way home after work, but it was also late in the day altogether. He had left things for too long and there was no one to blame for it but himself.
Abbas has never told anyone about his past - before he was a sailor on the high seas, before he met his wife Maryam outside a Boots in Exeter, before they settled into a quiet life in Norwich with their children, Jamal and Hanna. Now, at the age of sixty-three, he suffers a collapse that renders him bedbound and unable to speak about things he thought he would one day have to.
Jamal and Hanna have grown up and gone out into the world. They were both born in England but cannot shake a sense of apartness. Hanna calls herself Anna now, and has just moved to a new city to be near her boyfriend. She feels the relationship is headed somewhere serious, but the words have not yet been spoken out loud. Jamal, the listener of the family, moves into a student house and is captivated by a young woman with dark-blue eyes and her own, complex story to tell. Abbas's illness forces both children home, to the dark silences of their father and the fretful capability of their mother Maryam, who began life as a foundling and has never thought to find herself, until now.
**By the winner of the Nobel Prize in Literature 2021** ''There is a wonderful sardonic eloquence to this unnamed narrator''s voice'' Financial Times ''I don''t think I''ve ever read a novel that is so convincingly and hauntingly sad about the loss of home'' Independent on Sunday _____________________ He thinks, as he escapes from Zanzibar, that he will probably never return, and yet the dream of studying in England matters above that.
Things do not happen quite as he imagined - the school where he teaches is cramped and violent, he forgets how it feels to belong. But there is Emma, beautiful, rebellious Emma, who turns away from her white, middle-class roots to offer him love and bear him a child. And in return he spins stories of his home and keeps her a secret from his family.
Twenty years later, when the barriers at last come down in Zanzibar, he is able and compelled to go back. What he discovers there, in a story potent with truth, will change the entire vision of his life.>
**By the winner of the Nobel Prize in Literature 2021** Vehement, comic and shrewd, Abdulrazak Gurnah''s first novel is an unwavering contemplation of East African coastal life Poverty and depravity wreak havoc on Hassan Omar''s family. Amid great hardship he decides to escape.
The arrival of Independence brings new upheavals as well as the betrayal of the promise of freedom. The new government, fearful of an exodus of its most able men, discourages young people from travelling abroad and refuses to release examination results. Deprived of a scholarship, Hassan travels to Nairobi to stay with a wealthy uncle, in the hope that he will release his mother''s rightful share of the family inheritance.
The collision of past secrets and future hopes, the compound of fear and frustration, beauty and brutality, create a fierce tale of undeniable power.>
**By the winner of the Nobel Prize in Literature 2021** An extraordinary depiction of the life of an immigrant, as he struggles to come to terms with the horror of his past and the meaning of his pilgrimage to England Dear Catherine, he began. Here I sit, making a meal out of asking you to dinner. I don''t really know how to do it. To have cultural integrity, I would have to send my aunt to speak, discreetly, to your aunt, who would then speak to your mother, who would speak to my mother, who would speak to my father, who would speak to me and then approach your mother, who would then approach you.
Demoralised by small persecutions and the squalor and poverty of his life, Daud takes refuge in his imagination. He composes wry, sardonic letters hectoring friends and enemies, and invents a lurid colonial past for every old man he encounters. His greatest solace is cricket and the symbolic defeat of the empire at the hands of the mighty West Indies. Although subject to attacks of bitterness and remorse, his captivating sense of humour never deserts him as he struggles to come to terms with the horror of his past and the meaning of his pilgrimage to England.>
By the winner of the Nobel Prize in Literature 2021 A searing tale of a young woman discovering her troubled family history and cultural past Dottie Badoura Fatma Balfour finds solace amidst the squalor of her childhood by spinning warm tales of affection about her beautiful names. But she knows nothing of their origins, and little of her family history - or the abuse her ancestors suffered as they made their home in Britain.
At seventeen, she takes on the burden of responsibility for her brother and sister and is obsessed with keeping the family together. However, as Sophie, lumpen yet voluptuous, drifts away, and the confused Hudson is absorbed into the world of crime, Dottie is forced to consider her own needs. Building on her fragmented, tantalising memories, she begins to clear a path through life, gradually gathering the confidence to take risks, to forge friendships and to challenge the labels that have been forced upon her.>
