'On the morning of April 16, Dr Rieux emerged from his consulting-room and came across a dead rat in the middle of the landing.' It starts with the rats. Vomiting blood, they die in their hundreds, then in their thousands. When the rats are all gone, the citizens begin to fall sick. Like the rats, they too die in ever greater numbers.
The authorities quarantine the town. Cut off, the terrified townspeople must face this horror alone. Some resign themselves to death or the whims of fate. Others seek someone to blame or dream of revenge. One is determined to escape.
But a few, like stoic Dr Rieux, stand together to fight the terror. A monstrous evil has entered their lives but they will never surrender to it.
They will resist the plague.
Meursault leads an unremarkable, bachelor life in Algiers, but his sudden involvement in a violent confrontation throws him into turmoil as he is forced to question the fundamental values of society. Camus creates a world without a God but a society that is still subject to restrictive, man-made rules capable of alienating any who transcend them.
In this most memorable of existential novels, Camus pits the lone and courageous individual against the benign indifference of the universe. Meursault's deception perfectly reflects the absurdity of life.
Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.br>br>Inspired by the myth of a man condemned to ceaselessly push a rock up a mountain and watch it roll back to the valley below, The Myth of Sisyphus transformed twentieth-century philosophy with its impassioned argument for the value of life in a world without religious meaning.>
Written during the bleakest days of the Second World War, this volume argues for an acceptance of reality that encompasses revolt, passion and, above all, liberty. It also contains several other essays, including lyrical evocations of the sunlit cities of Algiers and Oran, and the settings of other novels, such as "The Outsider" and "The Plague".
An essay on the nature of human revolt, this book makes a critique of communism, how it had gone wrong behind the Iron Curtain, and the resulting totalitarian regimes. It also questions two events held sacred by the left wing, the French Revolution of 1789 and the Russian Revolution of 1917.
In many ways this work can be seen as a first sketch for Camus's renowned early novel, "The Outsider", but it can also be viewed as a candid self-portrait, drawing on Camus's memories of his youth, travels and early relationships.
Explores the dilemma of being an outsider - even in one's own country - and of allegiance. This work aims to evoke beautiful but harsh landscapes, whether the shimmering deserts of Algeria or the wild, mysterious jungles of Brazil.
She was waiting, but she didn't know for what. She was aware only of her solitude, and of the penetrating cold, and of a greater weight in the region of her heart.' Camus's writing confronts the great philosophical dilemmas of our time with piercing clarity. These three powerful and evocative stories are heavy with the weight of the human condition, and rich with atmosphere. In them, an ageing labourer, a woman travelling in North Africa with her husband, and a schoolteacher tasked with transporting a prisoner each face their own moral crises.
This book contains The Adulterous Woman, The Silent Men and The Guest.